<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0">
<channel>
	<title>Sound Proector :: news</title>
	<link>http://www.soundproector.com/</link>
	<description>experimental music webzine</description>
	<image>
		<url>http://www.soundproector.com/images/sp_logo.png</url>
		<title>Sound Proector :: experimental music webzine</title>
		<link>http://www.soundproector.com/</link>
	</image>

	<item>
		<title>time-out</title>
		<description>Due to serious illness of Sound Proector's administrator for some time our webzine won't accept promos for reviews and will be updated very rarely.&lt;br /&gt;
Thanks for interest to our activity. We will obligatory proceed our active work in future.</description>
		<pubDate>Mon, 12 Apr 2010 23:12:47 +0400</pubDate>
		<guid isPermaLink="false">163</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=163</link>
	</item>
	
	<item>
		<title>interview: Lawrence English</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/lawrence_english_interview.jpg&quot; alt=&quot;interview: Lawrence English&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;&lt;em&gt;...For me there is no difference between sound and music. The qualities of sound I almost always find are 'musical' in nature - whether that be temporality, tone, pitch, dynamics etc. I can listen to hydrophonic recordings from the coast of Queensland or a psych folk group from Japan and find both as enjoyable and inspiring as each other. The detail of the sound matter is what I am interested in - the unique qualities or aspects that make a particular sound or combination of sounds engaging...&lt;/em&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;?cat=interviews&amp;id=20&quot;&gt;-read interview-&lt;/a&gt;</description>
		<pubDate>Fri, 05 Mar 2010 22:35:14 +0300</pubDate>
		<guid isPermaLink="false">162</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=162</link>
	</item>
	
	<item>
		<title>review: Loscil - Endless Falls</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/loscil_endless_fall.jpg&quot; alt=&quot;review: Loscil - Endless Falls&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;Perhaps in creative work of each musician there comes the moment, when after release of some especially successful album all next albums are in some way compared to it. For me such an album by Canadian project &lt;strong&gt;Loscil&lt;/strong&gt; became Plume, though I can't compare it to the new record &lt;strong&gt;Endless Falls&lt;/strong&gt;...
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.soundproector.com/?cat=reviews&amp;id=274&quot;&gt;-read-&lt;/a&gt;</description>
		<pubDate>Sat, 27 Feb 2010 17:27:20 +0300</pubDate>
		<guid isPermaLink="false">161</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=161</link>
	</item>
	
	<item>
		<title>review: FOURM / Shinkei / Luigi Turra - Clean Forms</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/fourm_shinkei_luigi_turra_clean_forms.jpg&quot; alt=&quot;review: FOURM / Shinkei / Luigi Turra - Clean Forms&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;...If you want to hear this music for 100%, then having seen the people involved in this CDr, it's better to isolate yourself at once from any outer sound sources. Even using headphones you may lose the composition clue or get confused of which exactly sound is transmitted by the acoustic system, and which one comes from outside. In general it is a good field for experiments...
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.soundproector.com/?cat=reviews&amp;id=273&quot;&gt;-read-&lt;/a&gt;</description>
		<pubDate>Sat, 27 Feb 2010 17:25:58 +0300</pubDate>
		<guid isPermaLink="false">160</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=160</link>
	</item>
	
	<item>
		<title>review: Jamie Drouin - A Three Month Warm Up</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/jamie_drouin_a_three_month_warm_up.jpg&quot; alt=&quot;review: Jamie Drouin - A Three Month Warm Up&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;Album &lt;strong&gt;A Three Month Warm Up&lt;/strong&gt; of Canadian audio designer &lt;strong&gt;Jamie Drouin&lt;/strong&gt; released by label Dragon's Eye Recordings in summer 2009 has in its basis 124 field records made during three months in suburbs of Victoria (British Columbia, Canada). Thorough filtration comparable to getting of sound essence, led the initial sounds to the state when they convey their gist, their nerve...
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.soundproector.com/?cat=reviews&amp;id=272&quot;&gt;-read-&lt;/a&gt;</description>
		<pubDate>Sat, 27 Feb 2010 17:24:40 +0300</pubDate>
		<guid isPermaLink="false">159</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=159</link>
	</item>
	
	<item>
		<title>review: d_rradio - Leaves</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/d_rradio_leaves.jpg&quot; alt=&quot;review: d_rradio - Leaves&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;Project &lt;strong&gt;d_rradio&lt;/strong&gt; has a little bit tangled title. It is read as &quot;D. R. Radio&quot; and stands for &quot;deathrowradio&quot;. Gloomily and hopelessly at first sight, but if you think it over, well, what may be the radio of death row? What can it mean? Maybe the door to endless freedom, the last clap which lasts for eternity...
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.soundproector.com/?cat=reviews&amp;id=271&quot;&gt;-read-&lt;/a&gt;</description>
		<pubDate>Sat, 27 Feb 2010 17:23:24 +0300</pubDate>
		<guid isPermaLink="false">158</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=158</link>
	</item>
	
	<item>
		<title>'Top 10' lists of 2009</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/top10.png&quot; alt=&quot;Top 10 of 2009&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;Remembering the most interesting music of 2009 we made a list of 10 best releases in previous year.&lt;br /&gt;
&lt;br /&gt;
Well, in section &lt;a href=&quot;?cat=top10&quot;&gt;top 10&lt;/a&gt; you can become familiar with &quot;Top 10&quot; lists by pi micron, Raven and Dmitry Quarck.</description>
		<pubDate>Mon, 15 Feb 2010 23:22:20 +0300</pubDate>
		<guid isPermaLink="false">157</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=157</link>
	</item>
	
	<item>
		<title>review: William Basinski - Vivian &amp; Ondine</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/william_basinski_vivian_ondine.jpg&quot; alt=&quot;review: William Basinski - Vivian &amp;amp; Ondine&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;Years pass by, tendencies of musical industry, generations of musicians change, technologies develop... And in 2009 &lt;strong&gt;William Basinski&lt;/strong&gt; released on his own label 2062 record 92982 with music of 82 year, and several months later album &lt;strong&gt;Vivian &amp; Ondine&lt;/strong&gt; recorded in 2008. And what should you think?..
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.soundproector.com/?cat=reviews&amp;id=270&quot;&gt;-read-&lt;/a&gt;</description>
		<pubDate>Mon, 15 Feb 2010 23:09:28 +0300</pubDate>
		<guid isPermaLink="false">156</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=156</link>
	</item>
	
	<item>
		<title>review: Critikal - Graphorrhea</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/critikal_graphorrhea.jpg&quot; alt=&quot;review: Critikal - Graphorrhea&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;If your day started not that way that you wanted, everything was turned upside down and your mood was helplessly lost, then it will be possible to return the inner balance only tuning for the same arrhythmic wave - in our case we propose to deepen into listening to release &lt;strong&gt;Graphorrhea&lt;/strong&gt; by the international project &lt;strong&gt;Critikal&lt;/strong&gt;...
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.soundproector.com/?cat=reviews&amp;id=269&quot;&gt;-read-&lt;/a&gt;</description>
		<pubDate>Mon, 15 Feb 2010 23:08:13 +0300</pubDate>
		<guid isPermaLink="false">155</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=155</link>
	</item>
	
	<item>
		<title>review: Esplendor Geometrico - Pulsi&#243;n</title>
		<description>&lt;img src=&quot;http://files.soundproector.com/images/news/esplendor_geometrico_pulsion.jpg&quot; alt=&quot;review: Esplendor Geometrico - Pulsi&amp;#243;n&quot; class=&quot;newsimgs&quot; align=&quot;right&quot; /&gt;Album &lt;strong&gt;Pulsion&lt;/strong&gt; by headliners of the Spanish industrial scene appeared in 2009 and at once attracted attention of almost all fans of this music and those who are in the theme. To my mind, if we speak about serious industrial music and about music in general, team &lt;strong&gt;Esplendor Geometrico&lt;/strong&gt; takes its separate unique space, these guys have what to say...
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.soundproector.com/?cat=reviews&amp;id=268&quot;&gt;-read-&lt;/a&gt;</description>
		<pubDate>Wed, 10 Feb 2010 16:19:01 +0300</pubDate>
		<guid isPermaLink="false">154</guid>
		<link>http://www.soundproector.com/?cat=news&amp;id=154</link>
	</item>
	
</channel>
</rss>
